第 1 节
作者:大刀阔斧      更新:2021-04-30 17:08      字数:9322
  POST…MORTEM POETRY '1'
  In Philadelphia they have a custom which it would be pleasant
  to see adopted throughout the land。  It is that of appending to
  published death…notices a little verse or two of comforting poetry。
  Any one who is in the habit of reading the daily Philadelphia
  LEDGER must frequently be touched by these plaintive tributes
  to extinguished worth。  In Philadelphia; the departure of a child
  is a circumstance which is not more surely followed by a burial
  than by the accustomed solacing poesy in the PUBLIC LEDGER。
  In that city death loses half its terror because the knowledge
  of its presence comes thus disguised in the sweet drapery of verse。
  For instance; in a late LEDGER I find the following (I change
  the surname):
  DIED
  Hawks。On the 17th inst。; Clara; the daughter of Ephraim
  and Laura Hawks; aged 21 months and 2 days。
  That merry shout no more I hear;
  No laughing child I see;
  No little arms are around my neck;
  No feet upon my knee;
  No kisses drop upon my cheek;
  These lips are sealed to me。
  Dear Lord; how could I give Clara up
  To any but to Thee?
  A child thus mourned could not die wholly discontented。
  From the LEDGER of the same date I make the following extract;
  merely changing the surname; as before:
  Becket。On Sunday morning; 19th inst。; John P。; infant son
  of George and Julia Becket; aged 1 year; 6 months; and 15 days。
  That merry shout no more I hear;
  No laughing child I see;
  No little arms are round my neck;
  No feet upon my knee;
  No kisses drop upon my cheek;
  These lips are sealed to me。
  Dear Lord; how could I give Johnnie up
  To any but to Thee?
  The similarity of the emotions as produced in the mourners in these
  two instances is remarkably evidenced by the singular similarity
  of thought which they experienced; and the surprising coincidence
  of language used by them to give it expression。
  In the same journal; of the same date; I find the following
  (surname suppressed; as before):
  Wagner。On the 10th inst。; Ferguson G。; the son of William
  L。 and Martha Theresa Wagner; aged 4 weeks and 1 day。
  That merry shout no more I hear;
  No laughing child I see;
  No little arms are round my neck;
  No feet upon my knee;
  No kisses drop upon my cheek;
  These lips are sealed to me。
  Dear Lord; how could I give Ferguson up
  To any but to Thee?
  It is strange what power the reiteration of an essentially poetical
  thought has upon one's feelings。  When we take up the LEDGER
  and read the poetry about little Clara; we feel an unaccountable
  depression of the spirits。  When we drift further down the column
  and read the poetry about little Johnnie; the depression and spirits
  acquires and added emphasis; and we experience tangible suffering。
  When we saunter along down the column further still and read
  the poetry about little Ferguson; the word torture but vaguely
  suggests the anguish that rends us。
  In the LEDGER (same copy referred to above) I find the following
  (I alter surname; as usual):
  Welch。On the 5th inst。; Mary C。 Welch; wife of William B。 Welch;
  and daughter of Catharine and George W。 Markland; in the 29th year
  of her age。
  A mother dear; a mother kind;
  Has gone and left us all behind。
  Cease to weep; for tears are vain;
  Mother dear is out of pain。
  Farewell; husband; children dear;
  Serve thy God with filial fear;
  And meet me in the land above;
  Where all is peace; and joy; and love。
  What could be sweeter than that?  No collection of salient facts
  (without reduction to tabular form) could be more succinctly stated
  than is done in the first stanza by the surviving relatives;
  and no more concise and comprehensive program of farewells;
  post…mortuary general orders; etc。; could be framed in any
  form than is done in verse by deceased in the last stanza。
  These things insensibly make us wiser and tenderer; and better。
  Another extract:
  Ball。On the morning of the 15th inst。; Mary E。; daughter of John
  and Sarah F。 Ball。
  'Tis sweet to rest in lively hope
  That when my change shall come
  Angels will hover round my bed;
  To waft my spirit home。
  The following is apparently the customary form for heads of families:
  Burns。On the 20th inst。; Michael Burns; aged 40 years。
  Dearest father; thou hast left us;
  Hear thy loss we deeply feel;
  But 'tis God that has bereft us;
  He can all our sorrows heal。
  Funeral at 2 o'clock sharp。
  There is something very simple and pleasant about the following;
  which; in Philadelphia; seems to be the usual form for consumptives
  of long standing。  (It deplores four distinct cases in the single
  copy of the LEDGER which lies on the Memoranda editorial table):
  Bromley。On the 29th inst。; of consumption; Philip Bromley;
  in the 50th year of his age。
  Affliction sore long time he bore;
  Physicians were in vain
  Till God at last did hear him mourn;
  And eased him of his pain。
  That friend whom death from us has torn;
  We did not think so soon to part;
  An anxious care now sinks the thorn
  Still deeper in our bleeding heart。
  This beautiful creation loses nothing by repetition。  On the contrary;
  the oftener one sees it in the LEDGER; the more grand and awe…inspiring
  it seems。
  With one more extract I will close:
  Doble。On the 4th inst。; Samuel Pervil Worthington Doble;
  aged 4 days。
  Our little Sammy's gone;
  His tiny spirit's fled;
  Our little boy we loved so dear
  Lies sleeping with the dead。
  A tear within a father's eye;
  A mother's aching heart;
  Can only tell the agony
  How hard it is to part。
  Could anything be more plaintive than that; without requiring further
  concessions of grammar?  Could anything be likely to do more toward
  reconciling deceased to circumstances; and making him willing to go?
  Perhaps not。  The power of song can hardly be estimated。  There is
  an element about some poetry which is able to make even physical
  suffering and death cheerful things to contemplate and consummations
  to be desired。  This element is present in the mortuary poetry
  of Philadelphia degree of development。
  The custom I have been treating of is one that should be adopted
  in all the cities of the land。
  It is said that once a man of small consequence died; and the
  Rev。 T。 K。 Beecher was asked to preach the funeral sermon
  a man who abhors the lauding of people; either dead or alive;
  except in dignified and simple language; and then only for merits
  which they actually possessed or possess; not merits which they
  merely ought to have possessed。  The friends of the deceased got
  up a stately funeral。  They must have had misgivings that the
  corpse might not be praised strongly enough; for they prepared
  some manuscript headings and notes in which nothing was left
  unsaid on that subject that a fervid imagination and an unabridged
  dictionary could compile; and these they handed to the minister
  as he entered the pulpit。  They were merely intended as suggestions;
  and so the friends were filled with consternation when the minister
  stood in the pulpit and proceeded to read off the curious odds
  and ends in ghastly detail and in a loud voice!  And their
  consternation solidified to petrification when he paused at the end;
  contemplated the multitude reflectively; and then said; impressively:
  〃The man would be a fool who tried to add anything to that。
  Let us pray!〃
  And with the same strict adhesion to truth it can be said that the
  man would be a fool who tried to add anything to the following
  transcendent obituary poem。  There is something so innocent;
  so guileless; so complacent; so unearthly serene and self…satisfied
  about this peerless 〃hog…wash;〃 that the man must be made of stone
  who can read it without a dulcet ecstasy creeping along his backbone
  and quivering in his marrow。  There is no need to say that this
  poem is genuine and in earnest; for its proofs are written all
  over its face。  An ingenious scribbler might imitate it after
  a fashion; but Shakespeare himself could not counterfeit it。
  It is noticeable that the country editor who published it did
  not know that it was a treasure and the most perfect thing of its
  kind that the storehouses and museums of literature could show。
  He did not dare to say no to the dread poetfor such a poet
  must have been something of an apparitionbut he just shoveled
  it into his paper anywhere that came handy; and felt ashamed;
  and put that disgusted 〃Published by Request〃 over it; and hoped
  that his subscribers would overlook it or not feel an impulse to read it:
  (Published by Reque