So　cautious　in　youth；　during　his　Pyrenean　tour　with　Hallam　in　1830；
  Tennyson　could　not　become　a　convinced　revolutionary　later。　　We　must
  accept　him　with　his　limitations：　　nor　must　we　confuse　him　with　the
  hero　of　his　Locksley　Hall；　one　of　the　most　popular；　and　most
  parodied；　of　the　poems　of　1842：　　full　of　beautiful　images　and
  〃confusions　of　a　wasted　youth；〃　a　youth　dramatically　conceived；　and
  in　no　way　autobiographical。
  In　so　marvellous　a　treasure　of　precious　things　as　the　volumes　of
  1842；　perhaps　none　is　more　splendid；　perfect；　and　perdurable　than　the
  Morte　d'Arthur。　　It　had　been　written　seven　years　earlier；　and
  pronounced　by　the　poet　〃not　bad。〃　　Tennyson　was　never；　perhaps；　a
  very　deep　Arthurian　student。　　A　little　cheap　copy　of　Malory　was　his
  companion。　｛4｝　　He　does　not　appear　to　have　gone　deeply　into　the
  French　and　German　〃literature　of　the　subject。〃　　Malory's　compilation
  （1485）　from　French　and　English　sources；　with　the　Mabinogion　of　Lady
  Charlotte　Guest；　sufficed　for　him　as　materials。　　The　whole　poem；
  enshrined　in　the　memory　of　all　lovers　of　verse；　is　richly　studded；　as
  the　hilt　of　Excalibur；　with　classical　memories。　　〃A　faint　Homeric
  echo〃　it　is　not；　nor　a　Virgilian　echo；　but　the　absolute　voice　of　old
  romance；　a　thing　that　might　have　been　chanted　by
  〃The　lonely　maiden　of　the　Lake〃
  when
  〃Nine　years　she　wrought　it；　sitting　in　the　deeps；
  Upon　the　hidden　bases　of　the　hills。〃
  Perhaps　the　most　exquisite　adaptation　of　all　are　the　lines　from　the
  Odyssey　…
  〃Where　falls　not　hail　nor　rain；　nor　any　snow。〃
  〃Softly　through　the　flutes　of　the　Grecians〃　came　first　these　Elysian
  numbers；　then　through　Lucretius；　then　through　Tennyson's　own
  Lucretius；　then　in　Mr　Swinburne's　Atalanta　in　Calydon：…
  〃Lands　indiscoverable　in　the　unheard…of　west
  Round　which　the　strong　stream　of　a　sacred　sea
  Rolls　without　wind　for　ever；　and　the　snow
  There　shows　not　her　white　wings　and　windy　feet；
  Nor　thunder　nor　swift　rain　saith　anything；
  Nor　the　sun　burns；　but　all　things　rest　and　thrive。〃
  So　fortunate　in　their　transmission　through　poets　have　been　the　lines
  of　〃the　Ionian　father　of　the　rest；〃　the　greatest　of　them　all。
  In　the　variety　of　excellences　which　marks　Tennyson；　the　new　English
  idylls　of　1842　hold　their　prominent　place。　　Nothing　can　be　more
  exquisite　and　more　English　than　the　picture　of　〃the　garden　that　I
  love。〃　　Theocritus　cannot　be　surpassed；　but　the　idyll　matches　to　the
  seventh　of　his；　where　it　is　most　closely　followed；　and　possesses　such
  a　picture　of　a　girl　as　the　Sicilian　never　tried　to　paint。
  Dora　is　another　idyll；　resembling　the　work　of　a　Wordsworth　in　a　clime
  softer　than　that　of　the　Fells。　　The　lays　of　Edwin　Morris　and　Edward
  Bull　are　not　among　the　more　enduring　of　even　the　playful　poems。　　The
  St　Simeon　Stylites　appears　〃made　to　the　hand〃　of　the　author　of　Men
  and　Women　rather　than　of　Tennyson。　　The　grotesque　vanity　of　the
  anchorite　is　so　remote　from　us；　that　we　can　scarcely　judge　of　the
  truth　of　the　picture；　though　the　East　has　still　her　parallels　to　St
  Simeon。　　From　the　almost；　perhaps　quite；　incredible　ascetic　the　poet
  lightly　turns　to　〃society　verse〃　lifted　up　into　the　air　of　poetry；　in
  the　charm　of　The　Talking　Oak；　and　the　happy　flitting　sketches　of
  actual　history；　and　thence　to　the　strength　and　passion　of　Love　and
  Duty。　　Shall
  〃Sin　itself　be　found
  The　cloudy　porch　oft　opening　on　the　Sun？〃
  That　this　is　the　province　of　sin　is　a　pretty　popular　modern　moral。
  But　Honour　is　the　better　part；　and　here　was　a　poet　who　had　the
  courage　to　say　so；　though；　to　be　sure；　the　words　ring　strange　in　an
  age　when　highly　respectable　matrons　assure　us　that　〃passion；〃　like
  charity；　covers　a　multitude　of　sins。　　Love　and　Duty；　we　must　admit；
  is　〃early　Victorian。〃
  The　Ulysses　is　almost　a　rival　to　the　Morte　d'Arthur。　　It　is　of　an
  early　date；　after　Arthur　Hallam's　death；　and　Thackeray　speaks　of　the
  poet　chanting　his
  〃Great　Achilles　whom　we　knew；〃
  as　if　he　thought　that　this　was　in　Cambridge　days。　　But　it　is　later
  than　these。　　Tennyson　said；　〃Ulysses　was　written　soon　after　Arthur
  Hallam's　death；　and　gave　my　feeling　about　the　need　of　going　forward；
  and　braving　the　struggle　of　life；　perhaps　more　simply　than　anything
  in　In　Memoriam。〃　　Assuredly　the　expression　is　more　simple；　and　more
  noble；　and　the　personal　emotion　more　dignified　for　the　classic　veil。
  When　the　plaintive　Pessimist　（〃'proud　of　the　title；'　as　the　Living
  Skeleton　said　when　they　showed　him〃）　tells　us　that　〃not　to　have　been
  born　is　best；〃　we　may　answer　with　Ulysses　…
  〃Life　piled　on　life
  Were　all　too　little。〃
  The　Ulysses　of　Tennyson；　of　course；　is　Dante's　Ulysses；　not　Homer's
  Odysseus；　who　brought　home　to　Ithaca　not　one　of　his　mariners。　　His
  last　known　adventure；　the　journey　to　the　land　of　men　who　knew　not　the
  savour　of　salt；　Odysseus　was　to　make　on　foot　and　alone；　so　spake　the
  ghost　of　Tiresias　within　the　poplar　pale　of　Persephone。
  The　Two　Voices　expresses　the　contest　of　doubts　and　griefs　with　the
  spirit　of　endurance　and　joy　which　speaks　alone　in　Ulysses。　　The　man
  who　is　unhappy；　but　does　not　want　to　put　an　end　to　himself；　has
  certainly　the　better　of　the　argument　with　the　despairing　Voice。　　The
  arguments　of　〃that　barren　Voice〃　are；　indeed；　remarkably　deficient　in
  cogency　and　logic；　if　we　can　bring　ourselves　to　strip　the　discussion
  of　its　poetry。　　The　original　title；　Thoughts　of　a　Suicide；　was
  inappropriate。　　The　suicidal　suggestions　are　promptly　faced　and
  confuted；　and　the　mood　of　the　author　is　throughout　that　of　one　who
  thinks　life　worth　living：…
  〃Whatever　crazy　sorrow　saith；
  No　life　that　breathes　with　human　breath
  Has　ever　truly　long'd　for　death。
  'Tis　life　whereof　our　nerves　are　scant；
  Oh　life；　not　death；　for　which　we　pant；
  More　life；　and　fuller；　that　I　want。〃
  This　appears　to　be　a　satisfactory　reply　to　the　persons　who　eke　out　a
  livelihood　by　publishing　pessimistic　books；　and　hooting；　as　the　great
  Alexandre　Dumas　says；　at　the　great　drama　of　Life。
  With　The　Day…Dream　（of　The　Sleeping　Beauty）　Tennyson　again　displays
  his　matchless　range　of　powers。　　Verse　of　Society　rises　into　a　charmed
  and　musical　fantasy；　passing　from　the　Berlin…wool　work　of　the　period
  （〃Take　the　broidery　frame；　and　add
  A　crimson　to　the　quaint　Macaw〃）
  into　the　enchanted　land　of　the　fable：　　princes　immortal；　princesses
  eternally　young　and　fair。　　The　St　Agnes　and　Sir　Galahad；　companion
  pieces；　contain　the　romance；　as　St　Simeon　Stylites　shows　the
  repulsive　side　of　asceticism；　for　the　saint　and　the　knight　are　young；
  beautiful；　and　eager　as　St　Theresa　in　her　childhood。　　It　has　been
  said；　I　do　not　know　on　what　authority；　that　the　poet　had　no
  recollection　of　composing　Sir　Galahad；　any　more　than　Scott　remembered
  composing　The　Bride　of　Lammermoor；　or　Thackeray　parts　of　Pendennis。
  The　haunting　of　Tennyson's　mind　by　the　Arthurian　legends　prompted
  also　the　lovely　fragment　on　the　Queen's　last　Maying；　Sir　Launcelot
  and　Queen　Guinevere；　a　thing　of　perfect　charm　and　music。　　The　ballads
  of　Lady　Clare　and　The　Lord　of　Burleigh　are　not　examples　of　the　poet
  in　his　strength；　for　his　power　and　fantasy　we　must　turn　to　The　Vision
  of　Sin；　where　the　early　passages　have　the　languid　voluptuous　music　of
  The　Lotos…Eaters；　with　the　ethical　element　superadded；　while　the
  portion　beginning　…
  〃Wrinkled　ostler；　grim　and　thin
  is　in　parts　reminiscent　of　Burns's　Jolly　Beggars。　　In　Break；　Break；
  Break；　we　hear　a　note　prelusive　to　In　Memoriam；　much　of　which　was
  already　composed。
  The　Poems　of　1842　are　always　vocal　in　the　memories　of　all　readers　of
  English　verse。　　None　are　more　familiar；　at　least　to　men　of　the
  generations　which　immediately　followed　Tennyson's。　　FitzGerald　was
  apt　to　think　that　the　poet　never　again　attained　the　same　level；　and　I
  venture　to　suppose　that　he　never　rose　above　it。　　For　FitzGerald's
  opinion；　right　or　wrong；　it　is　easy　to　account。　　He　had　seen　all　the
  pieces　in　manuscript；　they　were　his　cherished　possession　before　the
  world　knew　them。　　C'est　mon　homme；　he　might　have　said　of　Tennyson；　as
  Boileau　said　of　Moliere。　　Before　the　public　awoke　FitzGerald　had
  〃discovered　Tennyson；〃　and　that　at　the　age　most　open　to　poetry　and
  most　enthusiastic　in　friendship。　　Again；　the　Poems　of　1842　were
  SHORT；　while　The　Princess；　Maud；　and　The　Idylls　of　the　King　were
  relatively　long；　and；　with　In　Memoriam；　possessed　unity　of　subject。
  They　lacked　the　rich；　the　unexampled　variety　of　topic；　treatment；　and
  theme　which　marks　the　Poems　of　1842。　　These　were　all　reasons　why
  FitzGerald　should　think　that　the　two　slim　green　volumes　held　the
  poet's　work　at　its　highest　level。　　Perhaps　he　was　not　wrong；　after
  all。
  CHAPTER　IV。1842…848THE　PRINCESS。
  The　Poems；　and　such　criticisms　as　those　of　Spedding　and　Sterling；
  gave　Tennyson　his　place。　　All　the　world　of　letters　heard　of　him。
  Dean　Bradley　tells　us　how　he　took　Oxford　by　storm　in　the　days　of　the
  undergraduateship　of　Clough　and　Matthew　Arnold。　　Probably　both　of
  these　young　writers　did　not　share　the　undergraduate　enthusiasm。　　Mr
  Arnold；　we　know；　did　not　reckon　Tennyson　un　esprit　puissant。　　Like
  Wordsworth　（who　thought　Tennyson　〃decidedly　the　first　of　our　living
  poets；　。　。　。　he　has　expressed　in　the　strongest　te