第 18 节
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这就是结局 更新:2021-02-20 15:58 字数:9322
composure; that he had done nothing against the rules;that he
was very sorry that one man could not win without another man
losing; and that he could not act unfairly; even if disposed to
do so。 The Sicilian took the stranger's mildness for
apprehension; and blustered more loudly。 In fact; he rose from
the table; and confronted Zanoni in a manner that; to say the
least of it; was provoking to any gentleman who has some
quickness of temper; or some skill with the small…sword。〃
〃And;〃 interrupted Belgioso; 〃the most singular part of the whole
to me was; that this Zanoni; who stood opposite to where I sat;
and whose face I distinctly saw; made no remark; showed no
resentment。 He fixed his eyes steadfastly on the Sicilian; never
shall I forget that look! it is impossible to describe it;it
froze the blood in my veins。 The Sicilian staggered back as if
struck。 I saw him tremble; he sank on the bench。 And then〃
〃Yes; then;〃 said Cetoxa; 〃to my infinite surprise; our
gentleman; thus disarmed by a look from Zanoni; turned his whole
anger upon me; THE but perhaps you do not know; gentlemen;
that I have some repute with my weapon?〃
〃The best swordsman in Italy;〃 said Belgioso。
〃Before I could guess why or wherefore;〃 resumed Cetoxa; 〃I found
myself in the garden behind the house; with Ughelli (that was the
Sicilian's name) facing me; and five or six gentlemen; the
witnesses of the duel about to take place; around。 Zanoni
beckoned me aside。 'This man will fall;' said he。 'When he is
on the ground; go to him; and ask whether he will be buried by
the side of his father in the church of San Gennaro?' 'Do you
then know his family?' I asked with great surprise。 Zanoni made
me no answer; and the next moment I was engaged with the
Sicilian。 To do him justice; his imbrogliato was magnificent;
and a swifter lounger never crossed a sword; nevertheless;〃 added
Cetoxa; with a pleasing modesty; 〃he was run through the body。 I
went up to him; he could scarcely speak。 'Have you any request
to make;any affairs to settle?' He shook his head。 'Where
would you wish to be interred?' He pointed towards the Sicilian
coast。 'What!' said I; in surprise; 'NOT by the side of your
father; in the church of San Gennaro?' As I spoke; his face
altered terribly; he uttered a piercing shriek;the blood gushed
from his mouth; and he fell dead。 The most strange part of the
story is to come。 We buried him in the church of San Gennaro。
In doing so; we took up his father's coffin; the lid came off in
moving it; and the skeleton was visible。 In the hollow of the
skull we found a very slender wire of sharp steel; this caused
surprise and inquiry。 The father; who was rich and a miser; had
died suddenly; and been buried in haste; owing; it was said; to
the heat of the weather。 Suspicion once awakened; the
examination became minute。 The old man's servant was questioned;
and at last confessed that the son had murdered the sire。 The
contrivance was ingenious: the wire was so slender that it
pierced to the brain; and drew but one drop of blood; which the
grey hairs concealed。 The accomplice will be executed。〃
〃And Zanoni;did he give evidence; did he account for〃
〃No;〃 interrupted the count: 〃he declared that he had by
accident visited the church that morning; that he had observed
the tombstone of the Count Ughelli; that his guide had told him
the count's son was in Naples;a spendthrift and a gambler。
While we were at play; he had heard the count mentioned by name
at the table; and when the challenge was given and accepted; it
had occurred to him to name the place of burial; by an instinct
which he either could not or would not account for。〃
〃A very lame story;〃 said Mervale。
〃Yes! but we Italians are superstitious;the alleged instinct
was regarded by many as the whisper of Providence。 The next day
the stranger became an object of universal interest and
curiosity。 His wealth; his manner of living; his extraordinary
personal beauty; have assisted also to make him the rage;
besides; I have had the pleasure in introducing so eminent a
person to our gayest cavaliers and our fairest ladies。〃
〃A most interesting narrative;〃 said Mervale; rising。 〃Come;
Glyndon; shall we seek our hotel? It is almost daylight。 Adieu;
signor!〃
〃What think you of this story?〃 said Glyndon; as the young men
walked homeward。
〃Why; it is very clear that this Zanoni is some imposter;some
clever rogue; and the Neapolitan shares the booty; and puffs him
off with all the hackneyed charlatanism of the marvellous。 An
unknown adventurer gets into society by being made an object of
awe and curiosity; he is more than ordinarily handsome; and the
women are quite content to receive him without any other
recommendation than his own face and Cetoxa's fables。〃
〃I cannot agree with you。 Cetoxa; though a gambler and a rake;
is a nobleman of birth and high repute for courage and honour。
Besides; this stranger; with his noble presence and lofty air;
so calm; so unobtrusive;has nothing in common with the forward
garrulity of an imposter。〃
〃My dear Glyndon; pardon me; but you have not yet acquired any
knowledge of the world! The stranger makes the best of a fine
person; and his grand air is but a trick of the trade。 But to
change the subject;how advances the love affair?〃
〃Oh; Viola could not see me to…day。〃
〃You must not marry her。 What would they all say at home?〃
〃Let us enjoy the present;〃 said Glyndon; with vivacity; 〃we are
young; rich; good…looking; let us not think of to…morrow。〃
〃Bravo; Glyndon! Here we are at the hotel。 Sleep sound; and
don't dream of Signor Zanoni。〃
CHAPTER 2。II。
Prende; giovine audace e impaziente;
L'occasione offerta avidamente。
〃Ger。 Lib。;〃 c。 vi。 xxix。
(Take; youth; bold and impatient; the offered occasion eagerly。)
Clarence Glyndon was a young man of fortune; not large; but easy
and independent。 His parents were dead; and his nearest relation
was an only sister; left in England under the care of her aunt;
and many years younger than himself。 Early in life he had
evinced considerable promise in the art of painting; and rather
from enthusiasm than any pecuniary necessity for a profession; he
determined to devote himself to a career in which the English
artist generally commences with rapture and historical
composition; to conclude with avaricious calculation and
portraits of Alderman Simpkins。 Glyndon was supposed by his
friends to possess no inconsiderable genius; but it was of a rash
and presumptuous order。 He was averse from continuous and steady
labour; and his ambition rather sought to gather the fruit than
to plant the tree。 In common with many artists in their youth;
he was fond of pleasure and excitement; yielding with little
forethought to whatever impressed his fancy or appealed to his
passions。 He had travelled through the more celebrated cities of
Europe; with the avowed purpose and sincere resolution of
studying the divine masterpieces of his art。 But in each;
pleasure had too often allured him from ambition; and living
beauty distracted his worship from the senseless canvas。 Brave;
adventurous; vain; restless; inquisitive; he was ever involved in
wild projects and pleasant dangers;the creature of impulse and
the slave of imagination。
It was then the period when a feverish spirit of change was
working its way to that hideous mockery of human aspirations; the
Revolution of France; and from the chaos into which were already
jarring the sanctities of the World's Venerable Belief; arose
many shapeless and unformed chimeras。 Need I remind the reader
that; while that was the day for polished scepticism and affected
wisdom; it was the day also for the most egregious credulity and
the most mystical superstitions;the day in which magnetism and
magic found converts amongst the disciples of Diderot; when
prophecies were current in every mouth; when the salon of a
philosophical deist was converted into an Heraclea; in which
necromancy professed to conjure up the shadows of the dead; when
the Crosier and the Book were ridiculed; and Mesmer and
Cagliostro were believed。 In that Heliacal Rising; heralding the
new sun before which all vapours were to vanish; stalked from
their graves in the feudal ages all the phantoms that had flitted
before the eyes of Paracelsus and Agrippa。 Dazzled by the dawn
of the Revolution; Glyndon was yet more attracted by its strange
accompaniments; and natural it was with him; as with others; that
the fancy which ran riot amidst the hopes of a social Utopia;
should grasp with avidity all that promised; out of the dusty
tracks of the beaten science; the bold discoveries of some
marvellous Elysium。
In his travels he had listened with vivid interest; at least; if
not with implicit belief; to the wonders told o