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American Literary Centers
by William Dean Howells
One of the facts which we Americans have a difficulty in making clear to
a rather inattentive world outside is that; while we have apparently a
literature of our own; we have no literary centre。 We have so much
literature that from time to time it seems even to us we must have a
literary centre。 We say to ourselves; with a good deal of logic; Where
there is so much smoke there must be some fire; or at least a fireplace。
But it is just here that; misled by tradition; and even by history; we
deceive ourselves。 Really; we have no fireplace for such fire as we have
kindled; or; if any one is disposed to deny this; then I say; we have a
dozen fireplaces; which is quite as bad; so far as the notion of a
literary centre is concerned; if it is not worse。
I once proved this fact to my own satisfaction in some papers which I
wrote several years ago; but it appears; from a question which has lately
come to me from England; that I did not carry conviction quite so far as
that island; and I still have my work all before me; if I understand the
London friend who wishes 〃a comparative view of the centres of literary
production〃 among us; 〃how and why they change; how they stand at
present; and what is the relation; for instance; of Boston to other such
centres。〃
I。
Here; if I cut my coat according to my cloth; t should have a garment
which this whole volume would hardly stuff out with its form; and I have
a fancy that if I begin by answering; as I have sometimes rather too
succinctly done; that we have no more a single literary centre than Italy
or than Germany has (or had before their unification); I shall not be
taken at my word。 I shall be right; all the same; and if I am told that
in those countries there is now a tendency to such a centre; I can only
say that there is none in this; and that; so far as I can see; we get
further every day from having such a centre。 The fault; if it is a
fault; grows upon us; for the whole present tendency of American life is
centrifugal; and just so far as literature is the language of our life;
it shares this tendency。 I do not attempt to say how it will be when; in
order to spread ourselves over the earth; and convincingly to preach the
blessings of our deeply incorporated civilization by the mouths of our
eight…inch guns; the mind of the nation shall be politically centred at
some capital; that is the function of prophecy; and I am only writing
literary history; on a very small scale; with a somewhat crushing sense
of limits。
Once; twice; thrice there was apparently an American literary centre: at
Philadelphia; from the time Franklin went to live there until the death
of Charles Brockden Brown; our first romancer; then at New York; during
the period which may be roughly described as that of Irving; Poe; Willis;
and Bryant; then at Boston; for the thirty or forty years illumined by
the presence of Longfellow; Lowell; Whittier; Hawthorne; Emerson; Holmes;
Prescott; Parkman; and many lesser lights。 These are all still great
publishing centres。 If it were not that the house with the largest list
of American authors was still at Boston; I should say New York was now
the chief publishing centre; but in the sense that London and Paris; or
even Madrid and Petersburg; are literary centres; with a controlling
influence throughout England and France; Spain and Russia; neither New
York nor Boston is now our literary centre; whatever they may once have
been。 Not to take Philadelphia too seriously; I may note that when New
York seemed our literary centre Irving alone among those who gave it
lustre was a New…Yorker; and he mainly lived abroad; Bryant; who was a
New Englander; was alone constant to the city of his adoption; Willis; a
Bostonian; and Poe; a Marylander; went and came as their poverty or their
prosperity compelled or invited; neither dwelt here unbrokenly; and Poe
did not even die here; though he often came near starving。 One cannot
then strictly speak of any early American literary centre except Boston;
and Boston; strictly speaking; was the New England literary centre。
However; we had really no use for an American literary centre before the
Civil War; for it was only after the Civil War that we really began to
have an American literature。 Up to that time we had a Colonial
literature; a Knickerbocker literature; and a New England literature。
But as soon as the country began to feel its life in every limb with the
coming of peace; it began to speak in the varying accents of all the
different sectionsNorth; East; South; West; and Farthest West; but not
before that time。
II。
Perhaps the first note of this national concord; or discord; was sounded
from California; in the voices of Mr。 Bret Harte; of Mark Twain; of Mr。
Charles Warren Stoddard (I am sorry for those who do not know his
beautiful Idyls of the South Seas); and others of the remarkable group of
poets and humorists whom these names must stand for。 The San Francisco
school briefly flourished from 1867 till 1872 or so; and while it endured
it made San Francisco the first national literary centre we ever had; for
its writers were of every American origin except Californian。
After the Pacific Slope; the great Middle West found utterance in the
dialect verse of Mr。 John Hay; and after that began the exploitation of
all the local parlances; which has sometimes seemed to stop; and then has
begun again。 It went on in the South in the fables of Mr。 Joel Chandler
Harris's Uncle Remus; and in the fiction of Miss Murfree; who so long
masqueraded as Charles Egbert Craddock。 Louisiana found expression in
the Creole stories of Mr。 G。 W。 Cable; Indiana in the Hoosier poems of
Mr。 James Whitcomb Riley; and central New York in the novels of Mr。
Harold Frederic; but nowhere was the new impulse so firmly and finely
directed as in New England; where Miss Sarah Orne Jewett's studies of
country life antedated Miss Mary Wilkins's work。 To be sure; the
portrayal of Yankee character began before either of these artists was
known; Lowell's Bigelow Papers first reflected it; Mrs。 Stowe's Old Town
Stories caught it again and again; Mrs。 Harriet Prescott Spofford; in her
unromantic moods; was of an excellent fidelity to it; and Mrs。 Rose Terry
Cooke was even truer to the New England of Connecticut。 With the later
group Mrs。 Lily Chase Wyman has pictured Rhode Island work…life with
truth pitiless to the beholder; and full of that tender humanity for the
material which characterizes Russian fiction。
Mr。 James Lane Allen has let in the light upon Kentucky; the Red Men and
White of the great plains have found their interpreter in Mr。 Owen
Wister; a young Philadelphian witness of their dramatic conditions and
characteristics; Mr。 Hamlin Garlafid had already expressed the sad
circumstances of the rural Northwest in his pathetic idyls; colored from
the experience of one who had been part of what he saw。 Later came Mr。
Henry B。 Fuller; and gave us what was hardest and most sordid; as well as
something of what was most touching and most amusing; in the burly…burly
of Chicago。
III。
A survey of this sort imparts no just sense of the facts; and I own that
I am impatient of merely naming authors and books that each tempt me to
an expansion far beyond the limits of this essay; for; if I may be so
personal; I have watched the growth of our literature in Americanism with
intense sympathy。 In my poor way I have always liked the truth; and in
times past I am afraid that I have helped to make it odious to those who
believed beauty was something different; but I hope that I shall not now
be doing our decentralized literature a disservice by saying that its
chief value is its honesty; its fidelity to our decentralized life。
Sometimes I wish this were a little more constant; but upon the whole I
have no reason to complain; and I think that as a very interested
spectator of New York I have reason to be content with the veracity with
which some phases of it have been rendered。 The lightning…or the flash…
light; to speak more accuratelyhas been rather late in striking this
ungainly metropolis; but it has already got in its work with notable
effect at some points。 This began; I believe; with the local dramas of
Mr。 Edward Harrigan; a species of farces; or sketches of character;
loosely hung together; with little sequence or relevancy; upon the thread
of a plot which would keep the stage for two or three hours。 It was very
rough magic; as a whole; but in parts it was exquisite; and it held the
mirror up towards politics on their social and political side; and gave
us East…Side typesIrish; German; negro; and Italianwhich were
instantly recognizable and deliciously satisfying。 I never could
understand why Mr。 Harrigan did not go further; but perhaps he had gone
far enough; and; at any rate; he left the field open for others。 The
next to appear noticeably in it was Mr。 Stephen Crane; whose Red Badge of
Courage wronged the finer art which he showed in such New York studies as
Maggie: A Girl of the Streets; and George's Mother。 He has been followed
by