第 14 节
作者:温暖寒冬      更新:2022-07-12 16:19      字数:9321
  solid blocks of stone from 10 to 18 feet in length。  Nor is the
  workmanship of the great granite cistern for holy water less
  remarkable。  It is so carefully adjusted on its bed that the water
  brought from a neighbouring cascade rises and pours over each edge
  in such carefully equalised columns that; as Mr。 Satow says; 〃it
  seems to be a solid block of water rather than a piece of stone。〃
  The temples of Iyemitsu are close to those of Iyeyasu; and though
  somewhat less magnificent are even more bewildering; as they are
  still in Buddhist hands; and are crowded with the gods of the
  Buddhist Pantheon and the splendid paraphernalia of Buddhist
  worship; in striking contrast to the simplicity of the lonely
  Shinto mirror in the midst of the blaze of gold and colour。  In the
  grand entrance gate are gigantic Ni…o; the Buddhist Gog and Magog;
  vermilion coloured; and with draperies painted in imitation of
  flowered silk。  A second pair; painted red and green; removed from
  Iyemitsu's temple; are in niches within the gate。  A flight of
  steps leads to another gate; in whose gorgeous niches stand hideous
  monsters; in human form; representing the gods of wind and thunder。
  Wind has crystal eyes and a half…jolly; half…demoniacal expression。
  He is painted green; and carries a wind…bag on his back; a long
  sack tied at each end; with the ends brought over his shoulders and
  held in his hands。  The god of thunder is painted red; with purple
  hair on end; and stands on clouds holding thunderbolts in his hand。
  More steps; and another gate containing the Tenno; or gods of the
  four quarters; boldly carved and in strong action; with long eye…
  teeth; and at last the principal temple is reached。  An old priest
  who took me over it on my first visit; on passing the gods of wind
  and thunder said; 〃We used to believe in these things; but we don't
  now;〃 and his manner in speaking of the other deities was rather
  contemptuous。  He requested me; however; to take off my hat as well
  as my shoes at the door of the temple。  Within there was a gorgeous
  shrine; and when an acolyte drew aside the curtain of cloth of gold
  the interior was equally imposing; containing Buddha and two other
  figures of gilded brass; seated cross…legged on lotus…flowers; with
  rows of petals several times repeated; and with that look of
  eternal repose on their faces which is reproduced in the commonest
  road…side images。  In front of the shrine several candles were
  burning; the offerings of some people who were having prayers said
  for them; and the whole was lighted by two lamps burning low。  On a
  step of the altar a much…contorted devil was crouching uneasily;
  for he was subjugated and; by a grim irony; made to carry a massive
  incense…burner on his shoulders。  In this temple there were more
  than a hundred idols standing in rows; many of them life…size; some
  of them trampling devils under their feet; but all hideous; partly
  from the bright greens; vermilions; and blues with which they are
  painted。  Remarkable muscular development characterises all; and
  the figures or faces are all in vigorous action of some kind;
  generally grossly exaggerated。
  While we were crossing the court there were two shocks of
  earthquake; all the golden wind…bells which fringe the roofs rang
  softly; and a number of priests ran into the temple and beat
  various kinds of drums for the space of half an hour。  Iyemitsu's
  tomb is reached by flights of steps on the right of the chapel。  It
  is in the same style as Iyeyasu's; but the gates in front are of
  bronze; and are inscribed with large Sanskrit characters in bright
  brass。  One of the most beautiful of the many views is from the
  uppermost gate of the temple。  The sun shone on my second visit and
  brightened the spring tints of the trees on Hotoke Iwa; which was
  vignetted by a frame of dark cryptomeria。
  Some of the buildings are roofed with sheet…copper; but most of
  them are tiled。  Tiling; however; has been raised almost to the
  dignity of a fine art in Japan。  The tiles themselves are a coppery
  grey; with a suggestion of metallic lustre about it。  They are
  slightly concave; and the joints are covered by others quite
  convex; which come down like massive tubes from the ridge pole; and
  terminate at the eaves with discs on which the Tokugawa badge is
  emblazoned in gold; as it is everywhere on these shrines where it
  would not be quite out of keeping。  The roofs are so massive that
  they require all the strength of the heavy carved timbers below;
  and; like all else; they gleam with gold; or that which simulates
  it。
  The shrines are the most wonderful work of their kind in Japan。  In
  their stately setting of cryptomeria; few of which are less than 20
  feet in girth at 3 feet from the ground; they take one prisoner by
  their beauty; in defiance of all rules of western art; and compel
  one to acknowledge the beauty of forms and combinations of colour
  hitherto unknown; and that lacquered wood is capable of lending
  itself to the expression of a very high idea in art。  Gold has been
  used in profusion; and black; dull red; and white; with a breadth
  and lavishness quite unique。  The bronze fret…work alone is a
  study; and the wood…carving needs weeks of earnest work for the
  mastery of its ideas and details。  One screen or railing only has
  sixty panels; each 4 feet long; carved with marvellous boldness and
  depth in open work; representing peacocks; pheasants; storks;
  lotuses; peonies; bamboos; and foliage。  The fidelity to form and
  colour in the birds; and the reproduction of the glory of motion;
  could not be excelled。
  Yet the flowers please me even better。  Truly the artist has
  revelled in his work; and has carved and painted with joy。  The
  lotus leaf retains its dewy bloom; the peony its shades of creamy
  white; the bamboo leaf still trembles on its graceful stem; in
  contrast to the rigid needles of the pine; and countless corollas;
  in all the perfect colouring of passionate life; unfold themselves
  amidst the leafage of the gorgeous tracery。  These carvings are
  from 10 to 15 inches deep; and single feathers in the tails of the
  pheasants stand out fully 6 inches in front of peonies nearly as
  deep。
  The details fade from my memory daily as I leave the shrines; and
  in their place are picturesque masses of black and red lacquer and
  gold; gilded doors opening without noise; halls laid with matting
  so soft that not a footfall sounds; across whose twilight the
  sunbeams fall aslant on richly arabesqued walls and panels carved
  with birds and flowers; and on ceilings panelled and wrought with
  elaborate art; of inner shrines of gold; and golden lilies six feet
  high; and curtains of gold brocade; and incense fumes; and colossal
  bells and golden ridge poles; of the mythical fauna; kirin; dragon;
  and howo; of elephants; apes; and tigers; strangely mingled with
  flowers and trees; and golden tracery; and diaper work on a gold
  ground; and lacquer screens; and pagodas; and groves of bronze
  lanterns; and shaven priests in gold brocade; and Shinto attendants
  in black lacquer caps; and gleams of sunlit gold here and there;
  and simple monumental urns; and a mountain…side covered with a
  cryptomeria forest; with rose azaleas lighting up its solemn shade。
  I。 L。 B。
  LETTER IX
  A Japanese Pack…Horse and Pack…SaddleYadoya and AttendantA
  Native Watering…PlaceThe Sulphur BathsA 〃Squeeze。〃
  YASHIMAYA; YUMOTO; NIKKOZAN MOUNTAINS;
  June 22。
  To…day I have made an experimental journey on horseback; have done
  fifteen miles in eight hours of continuous travelling; and have
  encountered for the first time the Japanese pack…horsean animal
  of which many unpleasing stories are told; and which has hitherto
  been as mythical to me as the kirin; or dragon。  I have neither
  been kicked; bitten; nor pitched off; however; for mares are used
  exclusively in this district; gentle creatures about fourteen hands
  high; with weak hind…quarters; and heads nearly concealed by shaggy
  manes and forelocks。  They are led by a rope round the nose; and go
  barefoot; except on stony ground; when the mago; or man who leads
  them; ties straw sandals on their feet。  The pack…saddle is
  composed of two packs of straw eight inches thick; faced with red;
  and connected before and behind by strong oak arches gaily painted
  or lacquered。  There is for a girth a rope loosely tied under the
  body; and the security of the load depends on a crupper; usually a
  piece of bamboo attached to the saddle by ropes strung with wooden
  counters; and another rope round the neck; into which you put your
  foot as you scramble over the high front upon the top of the
  erection。  The load must be carefully balanced or it comes to
  grief; and the mago handles it all over first; and; if an accurate
  division of weight is impossible; adds a stone to one side or the
  other。  Here; women who wear enormous rain hats and gird their
  kimonos over tight blue trousers; both load the horses and lead
  them。  I dropped upon my loaded horse from the top of a wall; the
  ridges; bars; tags; and knotted rigging of the saddle being
  smoothed over by a folded futon; or wadded cotton quilt; and I was
  then fourteen inches above the animal's back; with my feet hanging
  over his